The Plexmonster preset, for example, is an immediate winner, with an incredibly musical timbre and such a realism of response that we quickly forgot that we were using a plug-in (this is surely the Holy Grail that amp sim developers are striving for!). It makes us question why so many other amp sim developers can't provide the same - after all, it's not uncommon for amp sim presets to be utterly unusable without major surgery. So, how does it sound? Firstly, it must be said how much of a delight it was to find so many of the factory presets to be entirely usable without the need for serious tweakage. It means you focus on playing, rather than tweaking a seemingly infinite variety of options. The delay effect and cabinet simulation section can both be hidden from view if you need to conserve screen space.įrom our perspective, this simplicity of approach - focusing on the quality of what it does have, rather than on quantity of features - gives S-Gear a particular charm. However, these omissions means that all elements of the tonal chain - from amp to mic - can be viewed at once, making operation quick and unconvoluted. Despite having a simple, functional noise gate, S-Gear hasn't got a tuner, doesn't feature any stompboxes (although the Amp Drive switch on the input has a similar impact to a pedal), features delay but not reverb, chorus, and so on, and is missing a bass amp. This concept is reflected in the plug-in's interface, too.
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